Workshopping a Novel

"We ran like vampires from a thousand burning suns, but even then we should have stayed." -Rise Against, Audience of One

I've gotten a lot of advice on workshopping a novel before, mostly as I submitted portions of my novel for workshops. They usually ran like this, "It's difficult," "It's not always a good idea," etc. etc. etc.

The rationale runs like this: first, your workshop group won't read the entire novel. Thus they won't be able to comment on whether or not the things you're setting up in the beginning work in the end. You will always be able to say, "Oh, I'll explain that in chapter 23," and there's not much they can say in return. Second, you may become discouraged by the feedback you get from your workshop and give up on the project entirely.

After my experience in workshop today, I can say that neither of those fears are very well founded. In workshopping my own novel, I ran into the first problem. There are questions being asked by some of my workshopmates that will be resolved later, and some things that are striking them as odd are meant to strike them as odd, because they're setting up later revelations.

As of now, I don't have a ton of useful feedback on those issues. But they will be workshopping more of the novel, and as they do, I'll begin to see whether these things are working or not. By coming to the workshop of each new chunk with a list of the questions they had that should have been resolved in that chunk, I should be able to tick off what is and isn't working---it just won't all happen in one workshop.

I also got a lot of useful information out of just today's workshop, about what was working in my beginning (Most of the things I had focused on---booyah) and some of the things that weren't (surprising things, like some comments that my antagonists weren't pure evil enough for people).

Either way, I think that as long as I continue to move forward in the novel and don't worry about implementing any changes they've suggested until I can work out whether or not they're warranted, the experience should only be positive.

As far as the second fear goes, I have to admit I was worried about that going into today--not for myself, but for another writer, whose work I had barely been able to get through, and had had trouble not tearing apart.

That writer's work had a lot of fans in the workshop. Whether these people read completely different than me, are interested in different things, or are simply willing to let the author get away with more than I am (my main problems were grammatical), I don't know, but it certainly wasn't the awkward, quiet, "Umm...maybe try this?" affair it would have been if there were fourteen of me critiquing it.

So don't be afraid to workshop your longer work---just remember to move forward, and only come back to the feedback on your beginning once you've finished your end.

Maturation as a Writer

"Help me believe it's not the real me..."-Three Days Grace, Animal

Had an interesting moment as I spent all day yesterday in airports and on planes trying to get home for Christmas. I've never minded these days as much as a lot of other folks do, because I find there's plenty of downtime to get thinking and planning done for my writing, even if I rarely have success trying to write (those coach seats are just too small for my laptop).

So after my flight from Cleveland to Denver got off the ground last night, I settled back in my seat, turned on my Zen (MP3 player) and started thinking about some unresolved issues still plaguing my novel, as well as reviewing the direction I plan to take it when I begin rewriting it.

About an hour or so into this process I had an interesting realization: I was thinking in terms of theme, character development, and point of view. This was a surprise to me because for most my writing life, when I've set back to think about my books I've spent most of the time imagining plot elements, climactic scenes, epic battles, and the like.

I can't say for sure what this change implies for me as a writer, but I'd like to think it's that I've matured. I understand how books and stories are constructed in a much better way now than I have in the past, and I'm glad to see my thought processes reflecting that. It's not to say that I didn't dream up any epic scenes (I was rewriting the confrontation between my protagonist and antagonist in my head somewhere over Iowa and man, is it going to be ten thousand times better...) but I spent as much or more time planning how to set them up, how to make them climactic in many ways--the culmination of multiple stories that have been building since chapter one and the beginning of new ones that will lead into the next book--rather than just exciting, or the necessary endgame of the "What's going to happen?" question that the book begins with.

In short, my work over the past year has paid off, and I can now suggest it to others. Go study narrative (on your own terms, not in classes) and work in publishing! You won't regret it. :-)